Category Archives: motivation/excuses/laziness

SONGWRITING: Quick power tips

1. Get it done. Don’t make everything perfect.

Write all the time, and stop striving to reinvent the wheel. You’ll never write “In My Life” or “Fix You”. Neither will I. They’ve already been written. Just write. A lot. Daily. Slow and fast songs. Silly stupid songs. Serious ones. Get it done, and stop giving a damn what people think.

2. Get opinions from those you care about.

You made a 5-song digital EP? Awesome. Check in with friends. Send mp3s via email. “What do you think of the EP? Which song is your favorite? Am I onto something, here?”

3. Contrast.

Low-sung verses. Higher-sung choruses. Slow guitar strums with a fast beat. Or the opposite. Piano songs. Acoustic songs. Mix it up. Maybe a song entirely with bass guitar, sax, and drums (the band Morphine made a career of a similar sound).

4. Forget what you know.

Know a lot about music theory? Who cares? Forget about it, when you write. Detune your guitar into some weird altered tuning so you are forced to try new shapes with your fingers. Go into a sound in your keyboard that makes little sense. Don’t always run to the grand piano preset. Throw an effect pedal in between your keyboard and computer, and see what comes about. Experiment with a loop pedal. Take chances!

5. “I’m not as good as…”

Never compare yourself to others. Friends of mine are insanely talented. INSANELY. Their keyboard skills make me want to quit playing keys. Their singing voices are insanely trained. So what? I am not a trained singer, but I can sing, and harmonize. I can play basic piano stuff, but I cannot play difficult passages or songs. I can’t shred a blues solo, and my fingerpicking is capable, but nothing spectacular. Doesn’t matter. I focus on my strengths. Do the same for yourself.

6. Focus on the end result, the goal, the reason you do this.

Stop dissecting every step along the way when you’re writing and recording. “Too much string noise when my finger scraped the strings, there”… or “my voice cracked a little, in that part”…. “my harmony sounds a little weird, but ok…” Who cares?! Roll with it. Then listen to the song when it’s done, then make new decisions and choices. I wrote a song years ago. Recorded it in late 2014. It was cool, but I decided I hated it when listening to it again, last week. I changed the keyboard parts, and sped up the song while retaining the same key (thank you, computers). Now I love the song, and it’s infinitely better. Took two years to tweak it. Needed to give it a rest… listen, and then all the “here’s how I need to change it” brainstorming came out, within one listen of the song. I’ll release it soon… hopefully. End goal, right?

7. Be YOU.

Be yourself. Always. Stop singing like John Mayer or Ben Howard. Sing like YOU. I taught myself to sing listening to Green Day, Third Eye Blind, Ben Lee and Jimmy Eat World a lot in the late 90s. My voice is similar to theirs, and I love that. My songwriting style is similar, in some ways, too. It’s simple. It sounds like me. I can’t do Sigur Ros, and I can’t do Jason Mraz. I can’t do Bon Iver unless I’m playing with my vocal harmonizer pedal and lots of reverb. I fuck around, and roll with whatever sounds good to me. I love so many singers (and TONS of female singers, too) but I can’t do them. I can only do me.

8. Minimalist. Simplicity.

I saw an acoustic singer-songwriter a month ago. Too many fancy chords, rhythms, fancy-pants nonsense. His shit was forgettable. Then a few days later, I saw another dude. Lots of G and Cadd9 chords with a capo. His lyrics, delivery, and vibe of the song spoke to me way more intensely than the first guy.

Matthew Sweet wrote “Sick Of Myself” in 10 minutes. He thought it was a stupid song. Turned out to be one of his biggest hits, and he never regretted putting it on his 1995 album, “100% Fun.”

Jason Mraz… most of his really easy shit… A Beautiful Mess, I Won’t Give Up… SIMPLE AS HELL. And perfect. John Mayer’s “Gravity”? NO ONE CAN ARGUE HOW FUCKIN’ GREAT THAT SONG IS. Simple, and perfect. People like shit that they can just vibe to. They don’t need masturbatory musicianship. They want something that speaks to their souls. Make music like that, and change the world.

9. Collab.

I can do shit solo. And often do. But I also come up with some great shit, working with people. Don’t be afraid to. It’s important.

10. Rest. Think. Watch TV. Read. Kill it, but chill, too.

Rest. Rest. Rest. REST. Stop working so hard. Hell, just yesterday, I killed it with my friend Mike. We tracked three new hip-hop songs to beats we threw together in a few hours. We shot a video session for YouTube. We shot video as he tracked vocals, so we can have material for YouTube. We ate food and talked about nutrition and working out. We took a break and hung out. But in 8 hours, we did a LOT, and killed it. Today, I plan on doing the same. But first, I needed four hours to chill, blog, and help all of YOU. Then I’m going to hit the studio hard and work on shit. It’s 5pm. I have til about midnight. I’ll get it all done, and I’ll take a break in between. Don’t forget to fucking REST. Seriously. Ok? Cool. Get to work. Or chill.

-Chris Caulder
http://oustedrecords.bandcamp.com
http://seldomfamily.bandcamp.com

 

Have a tip to share? COMMENT!!! 🙂

 

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RECORDING: Trim the fat

What do I mean by this?

Stuff everyone knows, but what no one does: stop buying shit. Stop assuming the next piece of gear will make your recordings more professional and completely make your songwriting a thousand times better.

I think back to 2002-2004. I bought SO much shit.

I got a steal on a Novation Nova IIx synthesizer in late 2002. It was $999 from Sam Ash. Retailed at the time about $2500. I have no idea why it was so cheap… maybe a closeout or something. But I bought it. I loved it. I used it for a cool pad sound in the Beauty’s Confusion song “Blue Deluge”, in the chorus. And that’s all I used it for.

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A thousand dollars for a cool patch sound, and an arpeggiator that was extremely fun to fool around with. The patches were all insanely fun. It was a great analog-modeling synth.

Luckily, I was able to sell it for about $1250 after getting bored with it, a few months later.

I also remember, a few months before picking up the Nova IIx, I bought an E-Mu Proteus 2000 rackmount for $800 from Sam Ash. I even bought a $200 “super-realistic strings” chip upgrade, that allowed the rackmount to add a bunch of sounds to it. $1000 for sounds that ultimately sounded pretty damn dated, a few years later.

proteus_2000
The rackmount soon grew to be a pain in the butt, so I sold it at a loss, and instead, bought the E-Mu Proteus Keys, which was the “keyboard” version of the Proteus 2000:

This keyboard moved with me to the Philadelphia area, in 2004. I sold it about a year later, for around $300 (with the $200 string chip).

You want to hear the best part? Several years ago, E-Mu released the Proteux VX virtual instrument for free, with all the sounds from the Proteus 2000. A mere 65MB download. And it sounds exactly like the hardware.

facepalm

In late 2002, I also bought a used Fender Rhodes Mark I Stage 73 (had to drive three hours to pick it up). It cost only $450. I sold it about a year later for exactly the same price (someone drove two hours to pick it up). I loved that thing. They now sell for $1500 used. Should have hung onto that one. But I’ve found that cheap or free virtual rhodes instrument VSTs/plugins sound as good as the real thing.

I bought a Roland Juno-60 analog synthesizer five separate times in my life, and sold it five separate times. First one I got for only $300 (broken joystick/pitch bend). Sold for $400. The others, I bought for slightly more and sold for slightly more about 6 months to a year later. Last one I bought in 2011 cost me only $650 (locally through craigslist). Turned around and sold it for $900 five months later (also through craigslist). I’ve found the TAL U-No62 virtual synth, and its big brother, TAL U-NO-LX sound EXACTLY like the real thing. The first thing is free. The big brother’s only $40 or so. Get a cool midi keyboard that has assignable knobs, buttons and sliders, and you can control every parameter of the virtual version, and hot damn, it almost feels like and plays like the real thing.

I have a habit of doing this a lot. Oftentimes it’s just to make ends meet and pay bills. Sometimes it’s all about checking out gear and messing with it, and then parting ways with it with someone more excited and/or experienced.

Since I play everything, I’m prone to buying a wider variety of gear. But…

These days, my studio is so damn stripped-down, it’s ridiculous. I own a handful of gear, but only the shit I truly, truly need.

In the early 2000s, I collected synths, almost… Juno-60, Casio CZ-1000, Roland Juno-1 and Juno-2, Proteus Keys PK-6, Kawai K4, Roland D-50…. what the hell was the point? None of that shit was helping me finish songs.

I owned one microphone (one) from early 2003 to 2009. An AKG C2000B. I still use it. Past few years, I’ve bought more and more mics. They’re always useful.

Keyboard-wise? An M-Audio Oxygen 61, to control ALL of my virtual synths (most of which are freeware/great-sounding). The other keyboard I own is a Yamaha P-60 digital piano (weighted keys). I teach on it and love the feel of it. I’ve owned the same one since 2005.

Drums? I have a Pacific CX kit I play out with (white marine pearl). Got it on trade. I record all my acoustic drum stuff with a Sonor Safari bop kit. My cymbals are cheap, but awesome-sounding Paiste 404 crashes and a ride, and New Beat hi-hats by Zildjian. I own a second Sonor Safari, that I converted into an electronic/triggered kit on the cheap.

Guitars? Not many. A couple acoustics (Martin and Yamaha). I have an Agile Les Paul clone ($300 with custom Seymor Duncan pickups), and a Gibson SG Special. I used to own a Fender strat, which I miss. I have a Fender jazz bass for all my bass needs. I have a modest pedalboard with relatively cheap pedals. I have a Vox practice amp, and a Fender Deluxe Reverb ’68 reissue, for live use.

I have your typical “must-haves” for any home studio in 2015/2016– a good USB audio interface, studio monitors, dual flat-panel widescreen  displays, mic stands, different mics, a harmonizer, cheap mic preamp, and a midi drum pad (Maschine MK2)… and that M-Audio Oxygen 61.

That’s it.

Anything else is just not necessary.

Trim the fat. Utilize negative space in your home studio. Basically everything you need to record good music can be found “in the box” (on your computer). All of my effects (reverb, delay, compression, etc)… all “in the box” (mostly the stock plugins included with Reaper 4 and Reaper 5). The less options, the better.

It took me like 15 years to realize I didn’t need most of the shit I bought. Don’t be stupid like me. Research, and buy only what you need. Even if you’re a multi-instrumentalist…. you don’t need much.

 

 

 

 

 

SONGWRITING/RECORDING: Get to work. Now.

Every week or so, I talk to my cousin on the phone. He lives on the Jersey shore, and I live just outside of Philadelphia, PA. I’m about an 80-minute drive from him, and vice-versa. We see each other about once every two years. That’s not enough.

Let me tell you a little about my cousin.

He’s a genius. He can play guitar decently, can sing anything, can freestyle rap and make anyone piss their pants who’s within earshot, and he can write great lyrics that actually say something (or nonsense) and it always grabs everyone’s attention. That’s just the kind of guy he is. Everyone says he’s got the gift of gab, and he does. I’d kill to be as insane, and magnetic as he is.

But he talks shit all the time. “I’m gonna be the best damn producer ever” or “oh yeah man, when I make that first million….”

He’s 38 years old. I’m 37. I don’t think anyone gives much of a damn about our artistic endeavors anymore (or if they ever did). But…. my cousin’s the type of guy that if he really put in the work, he COULD be a millionaire. He could be the next ANYTHING…. Eminem, Ray William Johnson (the YouTube personality), ANYTHING…. he’s just got that “IT FACTOR.” I don’t have that It Factor.

I can’t count how many times we talk on the phone and say the same crap all the time… “let’s do this… seriously, we’ve got to do this… man, I’ll visit you… you visit me, we’ll really grind stuff out… put these wheels into motion.”

And yet… it never happens.

A year and a half ago, I made the drive (and I HATE driving, believe me)… and set up his computer, tweaked it, let him borrow some great recording equipment, a great mic, a MIDI drum pad, you name it… tons of sample loops, etc. We played guitar and sang songs and he showed me some ideas he had, which I thought were genius… Johnny Cash-ish country underdog tunes, and Social Distortion-ish rockabilly awesomeness.

Almost ten years ago, my cousin recorded 7 rap songs (produced fully by him, after training from me) and they are STILL the coolest things I’ve heard in a while. They’re cocky, confident, original, and completely my cousin. And if he re-recorded/tweaked them a bit, and put them on YouTube, the world would be at his feet. No shit.

But he hasn’t done anything yet.

Our conversation tonight began.. “well, I gotta upgrade my computer… I think it’s slowin’ me down…” (it’s a quad-core with like 12GB of ram, but yes… it’s only running XP, but that doesn’t matter, because all of my recording programs and stuff are still 32-bit, so they don’t use anything more than 3GB of ram, and I’ve never run into problems when tracking… even after 24 or 25 tracks with a lot of effects plugins like reverb/compression, etc). But this is kind of how he operates. There’s always an excuse or something holding him back.

But nothing should be holding him back. He’s got a gift from God or whatever you believe these gifts come from… he needs to be “out there” and making at least tens of thousands of dollars from his amazing ideas.

There’s one thing I never want to see (but I’m afraid it’s inevitable)… it’s turning 60, and my cousin turning 61, and him saying the same damn shit he’s always said since his mid-20s…. “yo, man, when I make my first million…. shit man, I just need a Mac with 64 gigabytes of ram, and a double-octacore Intel i700 processor… and I gotta have that EXACT bass sound that Rhianna used in her song from way back when in 2014….”

All of you reading this— get the fuck to work. NOW. Before you know it, we’re worm food. What do YOU want to accomplish as an artist? Whatever it is, get the fuck to work.

And no one needs this advice more than ME right now, too. Thankfully I have some people who love me and always encourage me to keep going and get shit done. Laziness, fear of rejection, and bullshit excuses always hold me back. Don’t let that shit hold YOU back. Get the fuck to work.

Much love to all of you,
Chris Caulder